So Sam, how did you
get your career started?
career has been long and varied. I started out as a singer in a rock band from Newcastle, lured/moved to London after a few
years, released a few albums toured a lot, then started working as a session singer.
It was scary at first, but like anything, with experience it all becomes more fun. Now I guest as a singer on lots
of different albums etc with lots of different artists. Some big and some not so big.
How did you get involved
in commiting to Thomas? Did you audition or did Hit approach you?
I have worked with Robert Hartshorne,
the songwriter and music producer, about 10 years ago on various other projects.
He called me out of the blue one day and said he might have an interesting
project for me. He explained it was Thomas the Tank Engine. It was initially a one off special (Go Go Thomas), so
we could make the music a little more contemporary. It was great fun to work on.
aware of the songs done previously that were performed by children?
Yes, I was very aware that children
had sung the previous songs. I have 2 children and they spent many hours watching Thomas.
When it was decided to change tactics on the songs in tieing in with the new generation of Thomas & Friends,
why was this?
I think the “new” approach for the songs was down to the producers at Hit and
Robert Hartshorne. Because we had a one-off special to work on, it gave us a bit more freedom to try something new. The producers
at Hit liked the song and it seems the fans did to. The new formula seemed to be a success.
you think with the new dynamic that this may or may not have worked?
To be honest, you never know if something
will work or not straight away. I recorded Go Go Thomas with Robert, he mixed it and presented it to the producers at Hit.
I seem to remember a slight lyric change, which we did, but basically they loved the song and it went onto the special-Hero
of the rails.
When the tunes were being written or recorded, did you pitch any ideas to the team that helped out in improving
When you are singing a song, I try to keep it exactly as the writer / producer
hears it. But sometimes I will chip in with a suggestion or add a vocal part to enhance a section.
Sometimes, I could
be singing for a while and we would decide the key was wrong...then we would change the music to a new key and start over
again. It’s all about the dynamic of the song in the end. Sometimes by adding or taking away a harmony you can totally
change the sound.
How would you describe your take on the modern Thomas songs?
take on the modern songs would be, that we took into consideration that adults would be watching and listening along with
their children and that we tried to make the songs suit both. More contemporary with a “child-temporary” feel.
Do you have a favourite track you like to listen to? Be it classic
I like to listen to Go Go Thomas (great song) and also Day of the Diesels is another good
Can you describe what your usual day would encounter from coming into the studio to
wrapping the project?
My usual day in the studio with Robert would start with a quick catch up on anything
we’ve been working on, a cup of tea, listening to the track, another cup of tea. Then singing, record some vocals, have
a listen to make sure we like it.
Tweak anything that needs tweaking, then crack on and finish it. Main vocal first,
then chorus harmonies, and any ad-libs that might fit. Then sometimes another cup of tea and a biscuit. The studio is about
an hour’s drive from where I live.
long would it take to record your voice all the way up to finalising the track for completion?
To sing a song from scratch, we would usually allow 2 or 3 hours. Sometimes
there are harmony parts to add. Robert will write the song, I will come in and learn it quickly, then start building the track
up. Sometimes in the middle of recording we may change something, if it sounds better. But it’s usually 2-3 hours to
sing, then Robert will mix the song. That can take best part of a day.
there been any songs involving you that may have been cut from the writing and development stages?
Usually Robert Hartshorne knows who will sing which song. Hit will sometimes say they
want to hear another singer...either female or another style male singer. I sang backing vocals on the Fat Controller song
because Robert wanted to use Stefan Ashton Frank (who did a great job).
If any of the records would one
day enter the charts, would you like to witness this and maybe be part of stage performances?
Of course, I’d love to be a part of it. I thought they might have released Go
Go Thomas when we recorded that. I reckon it’s a hit. I’m very proud of my involvement with Thomas.
has been with the show since 2004. Since the Animated Series and movies have come along, his music score changes have proved
popular among fans who now compare some of his works to previous composers, Mike O' Donnell & Junior Campbell. How do
you feel about this?
Robert is brilliant, he is a great musician
and composer. He covers a wide range of styles and genres. I’ve sung on countless pieces of music for him, some classical,
some folk, some rock, some pop. I sometimes wonder how he does it, but he always comes up with an amazing catchy song. I would
say he’s a genius, but he’d get far too bigheaded.
Is there any character that you would like to see gain their
own song whether they've had one or not?
I think they should all have a feature song at some point. Maybe that’s a suggestion for
Fans can tell in the new songs that Sharon
Miller may have wrote certain ones. Is there any that didn't involve her?
I met Sharon when we first worked on Hero of the Rails at Robert’s studio, she’s great. I think
she may have been instrumental in the “new” song approach. She may have written lyrics or given the songwriters
direction as to the subject matter of the episodes.
the backlash that Miller received in episodes and even the music side, how do you feel about the criticism centring on her?
I wasn’t aware of any backlash towards her. I don’t really get involved in anything but the songs. Robert
told me she was standing down, which was a shame, she was very good to work with.
We now deal with Ian McCue at Hit, he is a fantastic guy and a very good producer. I was recently at a wrap party
for 3 specials we have worked on...met all the UK staff and producers and writers, they’re a fantastic bunch of
people and are very passionate about what they do.
you occasionally go onto the internet to see fan reactions and feedbacks?
I have looked at some feedback, but not too much. You have to be careful, you may not like what you read, mainly on
Twitter to be honest. There were some people in the US who contacted me with a few questions, that was 2 years ago now.
Would you like to continue working for the show? Do you see an end to it?
I would love to continue working on Thomas the Tank Engine. I’m
very proud of my involvement. I travel all over the world and almost everywhere you go, they know of Thomas.
there may a shift of music style one day, there always is. When that comes, I guess that’ll be it for me. But until
that day comes, I’ll gladly carry on as will Robert. But when I met all the producers and staff recently, the future
looks bright, they all seem really happy with how things are going.
It has been announced that the new creative team coming in for Season
Seventeen and onwards are to make changes to the series. Is there you want to say on this matter?
There is always a change going on somewhere, especially with big companies like Hit. I
have no word on that I’m afraid, I haven’t heard a thing. I personally feel when something ain’t broke...don’t
fix it. But I’m just a singer. Hopefully they’re happy with the music, that’s all that’s important
to Robert and myself.
Robert Hartshorne in the past attended the Hero
of the Rails premiere. What would you say to joining a Thomas event like this?
I was invited last year to the premiere of Day of the Diesels, but I was on the road with a band at the time.
I couldn’t make it back in time for it. But I would have been there otherwise.
Maybe next time for the Blue Mountain Mystery premiere?
be there if I can, not sure when it is of course. Hopefully I’ll get an invite.
What have you got coming up in the pipeline in your career?
I only have some live shows this year, been recording with lots of artists, but it all depends what happens with
them. If any of them take off, then I’ll be working with them. I sing with 2 or 3 bands, one of them “California
Screaming” is a rock band, we’re doing a few charity events this year.
is there anything you would like to say to the fans?
fans are what keep film, tv and music alive. Without them there wouldn’t be any of this. So a big thank you to all the
fans of Thomas. Robert, myself and all the people at Hit are delighted that Thomas is still going strong.
SPECIAL THANKS TO THETOPHATTS
AND SAM BLEWITT
SiFansite would like to say "Thank You"
to TheTopHatts for his kind offer to re-publish another of his interviews.
We would also like to thank Sam Blewitt for participating
and providing such wonderful insights. We wish him all the best for future involvement with Thomas and Friends.